An Insomniacathonian
letter to the KING of AWAKENESS, MR. RON WHITEHEAD HIS OWN DANG SELF-------------------------------------(Page
4)
"Tell
your friends how it used to be, 'cause it ain't that way no more, and never gonna
be" said the man behind the counter. "But we still got the world's best
hot-dogs"
After our
sojourn of chomping down the quadruple bypass specials, we returned to nearby
Windber, and I was asked to read the final pages of "On the Road," to
end the festival, to be filmed and then intercut with the old video of Jack reading
the same passages with Steve Allen playing the piano from the 1958 telecast.
There
were people of all ages who attended this event, and it was a heartwarming two
days, seeing how much young people love this great book, and the spirit it conveys.
Now
as I write to you, I have finished my residency in Denton to Texas, barnstorming
the Denton/Dallas area with concerts, workshops, collaborations with dancers,
actors, choral groups, writers, poets, composers and then driving one hundred
miles to conduct performances of "Giants of the Night," the flute concerto
which I composed for James Galway, and my "Theme and Variations on Red River
Valley' for flute and strings.
When
we had our first rehearsal with the orchestra for the concert in Wichita Falls,
to my amazement, they played both of my symphonic works incredibly well. It was
really fun conducting them, and the flute soloist in my concerto, Pam Youngblood,
was amazing, playing the part I had composed for Sir James Galway. So THERE IS
HOPE IN THEM THEIR HILLS!!!
I
stayed in Denton at an old bed and breakfast close to the university, and the
owner was also a professional story teller, and it is a step back in time, eating
meals with visitors, many of whom are not from Texas, and all of whom were enjoying
the sunny spirit of this unique state. In between my marathon of activities there,
I got to spend time rapping with a small army of people of all ages who are native
Texans who have such an amazing bunch of stories, regional accents and a poetic
way of expressing themselves, making their down-home Southern-Western everyday
conversational speech styles a musical feast to listen to, as they share stories
and observations about their lives that are always unpredictable, often humorous
and consistently full of energy and special farmerly rural joie de vivre!!
The
symphony concert in Wichita Falls was fantastic, and the symphony played both
"Theme and
Variations on Red River Valley for flute and strings"
and "Giants of the Night," the flute concerto which I wrote for Sir
James Galway, whose three movements are dedicated respectively to Charlie Parker,
Jack Kerouac and Dizzy Gillespie.
In
all the whirlwind of events I participated in prior to the performance of the
concerto, I spoke of my experiences with the three of them.
When
I spoke about them, I saw that the enduring creations of Charlie Parker, Jack
Kerouac and Dizzy Gillespie are more appreciated than ever, and the positive energy
and enthusiasm I saw in the faces of people, young and old, which I encountered
every day, were all inspired by their work. This a constant source of joy, proving
the old adage, (ONE MORE TIME) that a thing of beauty IS a joy forever.
I
was told that after my concerto "Giants of the Night' was performed by the
Witchita Falls
Symphony, that the standing ovation it received at the end
of the last movement, was the first time that they had ever had one in the orchestra's
history.
The other two
works played on the program, in addition to the two of mine, were Stravinsky's
"Firebird Suite" and Darius Milhaud's "Creation of the World."
The flute soloist, Pam Youngblood, was a local musician who played incredibly
well, and it was a great time. Sorry that Wichita Falls Texas is not closer to
where you live in Kentucky!!
I
know that the flute concerto "Giants of the Night," like the memories
of the three people I dedicated the concerto to, will have a life of its own.
Speaking
of jam sessions and joyful music made in Texas, I am preparing a collaboration
with Willie Nelson for a new CD with him, to be recorded in Texas, using idioms
from Native American, Latin American, jazz and classical styles.
All
in addition to all this, I am doing programs resulting from the release and great
reviews of my new symphonic CD David Amram's Symphony Songs of the Soul for Naxos
records and the Varese-Sarabande release of my 42 year old score for The Manchurian
Candidate "
I am going
to Toronto this Wednesday for that, in addition to a memorial concert I am participating
there, in memory of Estelle Klein, the founder of the Mariposa Festival.
So
with all this crazed activity, I won't have any time to get into trouble. My little
free time is spent working on my new book, my composing of new orchestral music
and trying to answer mail!!!
I
send love and big hugs to you and your beautiful family, and can hardly wait to
see you and play with and for you again.
you
have inspired a lot of people, not on;y with your life's body of work, but by
what yhou have contributed to other people by showing that generosity of spirit
and positive yea-saying are what make a rewarding life, and that our job is to
spread joy, love, laughter and Insomniacathonian feelings, and bypass the soured
postmodern gloom mongers, since Whineology, Blameology, Greedology and Jealous-ology
are all overcrowded fields.
We
can all celebrate the WIDE OPEN SPACES OF INSOMNIACATHON 2004. PLEASE RESERVE
ME A BOX SEAT, NEAR THE DUGOUT, THE 50 YARD LINE AND THE BANDSTAND.
I
send cheers from that never-ending road, and look forward to our paths crossing
soon again.
David
www.davidamram.com
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